Si en su caso esta banalidad está empapada de memoria histórica y cuestiones antropológicas, ello no significa que todo lo banal tenga la misma relevancia o deba ocupar un sitio dentro de la fotografía contemporánea.
-Perhaps was Atget the photographer who introduces the trivial things as a theme into the photographic repertory.
But if in the Atget case the banality of a lot of his photos have history memories and antropological implications, that never mean that the all the banal things have a kind of naturalization card to fill or have a place into the contemporary photography.
(Imagen: E. Atget. Le Classe, 1910)
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